"If Ever You're in My Arms Again" is a 1984 song recorded by American R&B singer Peabo Bryson. Released as a single from his album Straight from the Heart, the single peaked at #6 on the R&B chart and was Bryson's first Top 10 single on the Billboard Hot 100 chart, where it peaked at #10 during the summer of 1984.It also spent four weeks at #1 on the adult contemporary chart. The song was used as a love theme for the Kelly Capwell and Joe Perkins characters on the daytime serial Santa Barbara.

"All at Once" is a song by American singer Whitney Houston, written by Michael Masser and Jeffrey Osborne. The song is from her eponymous debut album and was released as a single in Japan and several European countries in 1985–1986. While it did not receive an official single release in the United States, the song did receive steady radio airplay on Pop and R&B/soul formats there. The song is a heartbreak ballad about a lover who leaves without warning and the damage it does.

"Tonight, I Celebrate My Love" was one of two Michael Masser/ Gerry Goffin co-writes produced by Masser for the Born to Love album. Although the Born to Love sessions marked the first time either Peabo Bryson or Roberta Flack had been produced by Masser, Flack had previously recorded two Masser/ Goffin co-writes: "Independent Man" (album Roberta Flack/ 1978) and "Stay With Me" (album Roberta Flack Featuring Donny Hathaway/ 1980): also Masser's Ron Miller co-write "After You" was featured on Flack's 1977 album Blue Lights in the Basement. Flack's first recording of a Gerry Goffin composition had been a remake of his earliest evocation of nocturnal intimacy, Flack's version of the Shirelles' classic - co-written with Carole King - "Will You Still Love Me Tomorrow" - featured on the 1971 album Quiet Fire - in fact becoming Flack's first solo single to appear on the Hot 100 in Billboard magazine also serving as Flack's solo debut on Billboard's R&B chart (Flack had previously reached both the Hot 100 and R&B charts with two duet singles with Donny Hathaway).

"Tonight, I Celebrate My Love" was one of two Michael Masser/ Gerry Goffin co-writes produced by Masser for the Born to Love album. Although the Born to Love sessions marked the first time either Peabo Bryson or Roberta Flack had been produced by Masser, Flack had previously recorded two Masser/ Goffin co-writes: "Independent Man" (album Roberta Flack/ 1978) and "Stay With Me" (album Roberta Flack Featuring Donny Hathaway/ 1980): also Masser's Ron Miller co-write "After You" was featured on Flack's 1977 album Blue Lights in the Basement. Flack's first recording of a Gerry Goffin composition had been a remake of his earliest evocation of nocturnal intimacy, Flack's version of the Shirelles' classic - co-written with Carole King - "Will You Still Love Me Tomorrow" - featured on the 1971 album Quiet Fire - in fact becoming Flack's first solo single to appear on the Hot 100 in Billboard magazine also serving as Flack's solo debut on Billboard's R&B chart (Flack had previously reached both the Hot 100 and R&B charts with two duet singles with Donny Hathaway).

Por el momento no puedo decir nada de esta canción, excepto que me costó un perú. Difícil como ella sola, preciosa como las demás canciones de Michael Masser.

Esta es otra magnífica canción de Michael Masser. La grabaron a dúo Roberta Flack y George Benson. Es su versión más conocida y celebrada. Roberta también grabó con Peabo Bryson la canción 'Tonight, I Celebrate My Love', que también compuso Michael Masser. Mi versión es 'solitaria' y en un tono más bien bajo, pero aun así creo que la canción no ha perdido su dulzura ni su atractivo original. Linda Creed, la autora de la letra, firmó junto a Masser la canción 'The Greatest Love Of All" que originalmente cantó George Benson pero que luego fue un éxito tremendo cuando la grabó Whitney Houston.

Me gustaría cantar todas las canciones que compuso Michael Masser, sin excepción. Las encuentro bellísimas. El talento de este compositor es tan extraordinario como imperdonable es que se acuerden de sus canciones solo por el que compuso la letra. En el caso de In Your Eyes, hay que reconocer que quien le puso la letra es otro artista célebre (el canadiense Dan Hill). La canción fue compuesta a comienzo de los años 80 y grabada por George Benson en 1983. Un año más tarde la grabó Regine Velásquez y en 1986 hizo un bonita versión de ella Jeffrey Osborne.

Esta es probablemente la obra más sofisticada de Michael Masser. La canción, cuya letra escribió Linda Creed cuando ya estaba enferma, fue incluida en un biopic sobre Muhammad Ali, titulado "The Greatest". Tras ser grabada por George Benson, Michael Masser al parecer se empeñó en que la grabara Whitney Houston. Y lo consiguió, no sin antes exigir a fondo a la joven estrella, a la que obligó a cantar varias veces trozos de la canción hasta lograr la perfección. Algunos compases de la parte que está antes del estribillo suenan vagamente parecidos a una canción de Gordon Lightfoot ("I love Edmund Fitzgerald's voice"). Lightfoot demandó a Masser por plagio y el asunto, según cuentan páginas especializadas, se zanjó con un acuerdo extrajudicial.

Is a song written by Gerry Goffin and Michael Masser. It was originally recorded by American artist George Benson for his 1985 album 20/20. A 1987 cover version by American singer Glenn Medeiros reached Number 12 on the U.S. Billboard Hot 100 and spent four weeks at number one on the UK singles chart in July 1988. It also reached number one in Canada and in four countries in Europe.